The Unseen World by Liz Moore, read by Lisa Flanagan

btyd-square-400Alzheimer’s is a heartbreaking disease and I found myself crying at points during The Unseen World. It reminded me of how my grandmother struggled to care for her husband in his late years with Alzheimer’s. My husband also has a grandparent with the illness. It’s something that feels particularly close and is dreadfully frightening.

Ada Sibelius is a 12 year old girl who lives with her father, David. Their lives are unconventional. Ada does not attend a school. Instead she is homeschooled, which in this case means every day she follows her father to the software lab he heads up at the Boston Institute of Technology. There Ada works the rest of the team on their projects. The lab’s main project is a self learning language software based on ELIZA. For me their software, ELIXIR was another key character in the book and I enjoyed the development of ELIXIR alongside Ada’s own as they “grew up” together.

When David is no longer able to hide the signs that he is developing Alzheimer’s Disease Ada’s world begins to fall apart. As hard as she tries to stop it from happening, this is something Ada cannot manage alone. And David’s secrets do not stop at trying to hide the onset of his illness. The mystery at the heart of this novel is an unusual one.

Lisa Flanagan has a beautiful, clear voice. This is the first time I’ve come across her and her performance is very enjoyable. She creates Liz Moore’s characters extremely well and makes the overall experience a pleasure.

Shortly after finishing the novel articles began to appear about a new drug that has been able to reverse the physical damage Alzheimers causes to the brain. After the desolation of The Unseen World this was a welcome hope. If scientists can show there are cognitive benefits this drug could change outcomes for people diagnosed with Alzheimer’s Disease.

The Unseen World and Ada both inherit their names from the work of Ada Lovelace, the writer of the world’s first software program, before the machines that could utilise such programs were created. This novel is a touching tribute to humanity’s frailty and strength.

I’d previously read Heft by Liz Moore so I was looking forward to this new novel. I wonder how frustrating it is for authors to have their new works compared to their previous ones. Somehow I felt as though The Unseen World didn’t quite measure up to Heft. There are minor grammatical flaws that occasionally distracted me from the text and although I understand why Liz Moore may have made the sentence structure choices she did, they irked me.

I’m a picky reader with a preference for literary fiction and this was well into general fiction territory. For a piece of general fiction I thought it very enjoyable and I’m positive it will be very popular among young readers in particular. Overall it’s a good book with a great performance by narrator Lisa Flanagan. Well worth whiling away fourteen hours.

The Unseen World • by Lis Moore • read by Lisa Flanagan • 14.4 hours • published by Blackstone Audio • July 26, 2016 • ISBN 9781504724371

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The Argonauts by Maggie Nelson (read by the author)

bpgz-square-400In The Argonauts Maggie Nelson presents her well considered, sometimes complex thoughts and experiences of love, gender, sex, pregnancy, parenthood and family in contexts outside of the traditional.

Perhaps the most important takeaway from the book is the lesson that change may not be a journey toward something as much as it is a turning away from something. To turn away might be enough, it isn’t always necessary to arrive at a particular destination.

Throughout the book Maggie Nelson challenges us not to accept binary labels and reminds us that every person, every relationship, every family is unique. She generously allows that we may need to learn things multiple times as we learn, forget, learn again.

This is an extremely intelligent memoir. True to Maggie Nelson’s style it doesn’t fit into the category of “memoir” as easily as most – it’s perhaps closer to an essay. But it is a close and unashamed examination of Nelson’s internal and external life. It is intimate and requires attention to every word but it is accessible and rewarding.

The description of the Christmas mug Maggie’s mother gifted her one year is delightful and was, for me the point at which I felt I “got” this book. “This is the most heteronormative thing I’ve ever seen” says a visiting friend. The mug has an image Maggie’s partner Harry, Harry’s son & a pregnant Maggie, all dressed in their best, looking for all the world like the traditional, nuclear family.

I also loved Maggie Nelson’s take on “love.” I’ve heard of people who believe “I love you” is something to be withheld and presented formally, only when earned, and only on rare occasions. But Nelson sees each utterance of “I love you” as a renewal. I couldn’t agree more. “I love you” doesn’t get stale by repetition – it becomes more powerful, more meaningful and more true.

Rightly, Nelson narrates her own work. It’s an intimate story and to put another narrator between Maggie and the reader might lessen the impact. However her voice is a little monotone which makes it harder to listen to long stints. A professional narrator would make the book easier to read, but it might also make the book less personal.

This is a fascinating read that will broaden the worldview of any reader. Take what you will from it, you cannot be the same person having read The Argonauts.

The Argonauts • by Maggie Nelson • read by Maggie Nelson • 4.8 hours • published by Blackstone Audio • August 4, 2016 • ISBN 9781504660822

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Strange, Seductive and Powerfully Sensual: Deborah Levy’s “Hot Milk”

61ud2qngezl-_sl300_Oh my gosh what an exciting novel Hot Milk is. I was a bit worried by the title that I was about to read some sort of weird MILF erotica. Just to be clear, it isn’t MILF erotica (or any other kind of erotica). It is a very sexy novel, but not in the way you’re thinking.

It’s the story of Sofia and her mother, Rose. They are in Spain seeking treatment for an ailment that has stumped Rose’s doctors in England.

Sofia at 24, is an example of “failure to launch.” She has quit her PhD in anthropology to care for her mother. She works in a coffee shop. She has no romantic relationships, no home of her own. She failed her drivers licence four times. Seriously – four times! I’m in no place to criticise here, but she didn’t even pass the theory!

In Spain Sofia drops her laptop, shattering the screen. By breaking the laptop screen she also breaks the spell that has bound her gaze to it. Freed, she turns her anthropological eye upon herself. It’s the beginning of her discovery of her sexuality, her seductiveness and her inner monster.

Meanwhile, the relationship between Sofia and Rose crackles with tension and hums with rage. Between them they are stuck. But as the epigraph of the novel instructs: “It’s up to you to break the old circuits.” And it is up to Sofia and Rose to narrate their own new legends.

Levy’s writing is itself powerfully seductive. It as warm as the air of southern Spain. It’s smooth and divine and devilishly funny. It’s also terribly sensual. The story has an ethereal quality that makes it feel hard to pin down at first, but the golden thread of Levy’s metaphors lead us to see both the divine and the mortal in Sofia.

Romola Garai’s velvety narration brings divinity to the seductiveness of Levy’s prose. It’s a perfect match of book and narrator. Garai’s voicing, timing, characterisation – it’s all perfect. I hope she’ll find time in her busy schedule to narrated other audiobooks. Bravo Ms Garai, and bravo Ms Levy. A beautiful combination.

I’m not a classicist so I keep the internet handy when I’m reading. I get really excited by references that help me understand the book I’m reading better. In this instance I hunted down “milk as metaphor” (“hot milk” is semen for those interested. I wonder who else was visiting Juan in the injury hut! Otherwise “milk” can refer to spiritual immaturity, which I liked as a metaphor in this instance, or “mother’s milk”). I also read about the myth of the Medusa, the beautiful, strong maiden who is turned into a powerful monster, later beheaded at the command of Athena. Also The Laugh of the Medusa, the essay from which Hot Milk takes its epigraph. Keep an ear out for David Bowie lyrics too!

Did I mention I loved this book? I loved this book. Seriously, loved it. It’s long listed for the Man Booker Prize 2016 and is a very worthy contender.

Hot Milk • Deborah Levy • read by Romola Garai • 8.5 hours • published by Penguin Books Ltd. • March 24, 2016

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What Belongs to You, by Garth Greenwell, read by Piter Marek

61i0155knel-_sl300_Garth Greenwell’s quiet but urgent style is superb and this, his debut, is stunning in every respect. His novel is a profound dissection of a character caught between desire and morality.

A young American man is working as a teacher in Bulgaria. There he meets and becomes infatuated with a young man named Mitko. Initially the two develop an intense relationship that exists at the axes of shame and desire.

Thereafter follows a period of self reflection which includes recollections shameful, humiliating, and alienating. Greenwell fearlessly confronts the difficulties of a young gay man coming to know himself with a genuineness that is humbling to the reader.

Lately, poet-novelists such as Garth Greenwell are forming the base of my favourite contemporary storytellers. They often bring a lyricism to their storytelling that weaves well with the audio form. Audio seems the perfect format in which to experience these authors. I’m deeply fond of Garth Greenwell’s creation as told by Piter Marek, whose narration is intimate and sincere.

There has been much praise calling Greenwell’s book “The Great Gay Novel”. I believe it stands with E. M. Forster’s “Maurice”, and with the novels of Alan Hollinghurst and David Leavitt. I’m very surprised to see it left off the Man Booker long list for this year; to me it’s definitely one of the highlights of the past year and won’t soon be forgotten.

What Belongs to You • by Garth Greenwell • read by Piter Marek • 6.3 hours • published by Recorded Books • March 14, 2016 • ISBN 9781501905841

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The Natural Way of Things by Charlotte Wood, read by Alisa Piper

51j3imzfy2l-_sl300_What have you done Charlotte Wood? You have made Golding’s Lord of the Flies for this century and you have made it so very thrilling and real.

Verla wakes from a drugged sleep. She doesn’t know where she is, nor why she’s there. Another woman is thrust into the room – Yolanda. Verla and Yolanda are two of ten women who find themselves in the middle of the desert. Their heads are soon shaved and they are clothed in coarse, modest but completely impractical skirts.

The dread begins from the first scenes and Wood never lets up. The girls are always on guard, and so are we.

The women are jailed in a compound in outback Australia, surrounded by an electric fence powerful enough to kill. One evening the electricity at the compound goes off. The food begins to run out. Things were already bad and they are about to get worse.

There is nothing about this book that is predictable. Wood keeps us guessing and second guessing at every turn. It is exquisite, the sort of book where you need to remind yourself to breathe. Do not be fooled by the beautiful cover of the book. Wood’s story is ugly, ugly, ugly. It is the very worst of ourselves.

The book won the 2016 Stella Award (Australia’s top award for Women’s Literature) and is shortlisted for Australia’s most prestigious award, the Miles Franklin Award.

Alisa Piper gives the characters a powerful Aussie twang, perfectly suited to the women (and men) Wood has written. Piper draws you in quickly and performs the voices of each character superbly.

The Natural Way of Things • by Charlotte Wood • read by Alisa Piper • 7 hours • published by Wavesound Audio • August, 2016 • ISBN 9781510037496

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The Ghost Writer by Philip Roth, read by Malcolm Hillgartner


Philip Roth is one of the finest writers in the United States and Blackstone Audio’s pairing of this book with Malcolm Hillgartner’s narration is an excellent match.

An older Nathan Zuckerman recalls a visit to his idol and mentor E. I. Lonoff, 20 years ago when Nathan was 23. During the visit Nathan begins to confront his Jewishness as a part of his identity, specifically his identity as a writer.

There is a reason behind Nathan’s identity crisis. His parents believe his latest manuscript is anti-semitic. Being told that “artists are responsible to their community” has left him questioning his identity both as an author and as a Jew.

Not only is E. I. Lonoff Nathan’s idol, but he’s also the Ghost of (Nathan’s) Christmas Future. It’s comedic to watch Nathan sentimentalise his hero’s family life while it disintegrates. There is tension between Lonoff’s wife and the young research assistant staying with them with strong suggestions of an affair between Lonoff and the younger woman; an affair which Nathan also manages to romanticise.

This is the first novel featuring Nathan Zuckerman who went on to appear in an additional eight of Roth’s novels. Roth is a profoundly talented author and this book, originally published 37 years ago, demonstrates his undeniable skill as a writer.

I’m also very excited about Malcolm Hillgartner’s narration. I’m used to hearing George Guidall and a select few others narrating Roth’s novels. Hillgartner’s narration is easily their equal. His voice a perfect fit for this novel and I’ll look forward to more audiobooks with his voice. Excellent casting from Blackstone Audio, and as usual a great production. A big thanks to Blackstone Audio for making this book available in audio format.

The Ghost Writer • by Philip Roth • read by Malcolm Hillgartner • 4.5 hours • published by Blackstone Audio • May 03, 2016 • ISBN 9781504726580

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Horror by George Eliot? Yes Really!

br51-square-400Clive Chafer sets an ominous, foreboding tone for George Eliot’s unusual horror story.

The Lifted Veil is a big break from the George Eliot I’m used to – the George Eliot of Middlemarch and The Mill on the Floss.

We’re introduced to Latimer, a dying man who is ready to tell the murky story of his unusual gift and of his marriage to the woman originally intended for his brother.

As a young child Latimer developed a severe illness. Although he recovered it left him with the gift of clairvoyance. In adulthood Latimer is jealous of his older brother Alfred who will inherit their father’s fortune, but more importantly to Latimer, Alfred is courting the young heiress Bertha. Latimer is smitten with Bertha and suffers while watching her favours bestowed on his older brother.

One night Latimer has a vision of Bertha as his wife and the dreadful person she really is.

“…Bertha my wife with cruel eyes, with green jewels and green leaves on her white ball dress, every hateful thought within her present to me: madman, idiot, why don’t you kill yourself then? It was a moment of hell I saw into her pitiless soul saw its barren worldliness, it’s scorching hate and let it clothe me round like an air I was obliged to breathe.

Instead of running a mile as any sane person would, Latimer marries Bertha following the death of his brother. As his vision foretold she becomes a callous, unkind creature.

AND THEN: I’m not going to spoil the rest of the story for you by telling it here!

Any good horror is usually told with a good helping of humour and The Lifted Veil has as much as most with a solid deux ex machina to help Latimer toward the end of his tale.

Eliot’s foray into the realm of the horror was published the same year as her first novel, Adam Bede. It is a charming tale that will delight anyone who enjoys a gothic horror and which will intrigue Eliot fans.

Chafer’s reading is delicious – it makes you want to dim the lights, cuddle up in a rug and steel your nerves.

The Lifted Veil • by George Eliot • read by Clive Chafer • 1.9 hours • published by Blackstone Audio • February 16, 2016 • ISBN 9781504673303

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The High Mountains of Portugal by Yann Martel, read by Mark Bramhall

51xdm6zjul-_sl300_I nabbed The High Mountains of Portugal on release day and began reading it immediately. I’d been looking forward to another Yann Martel story. I’ve loved Self, The Life of Pi and Beatrice and Virgil and wondered where Martel will go next. When I reached the end of this book I started reading it all over again. I was desperate to pick up all the little pieces I might have missed first time around.

The High Mountains of Portugal is a novel in three parts. Each part has a new main character and each are connected.

Part one is set in 1904 and Tomás, who works for the National Museum of Ancient Art goes on a quest for an unusual item gifted to a church in the high mountains of Portugal. He takes his uncle’s car – a very new, very rare object in the area at the time. In fact Tomás has no idea how to drive. It quickly becomes a hilarious comedy of errors.

Part two skips us ahead to 1939 and introduces us to a pathologist who performs a very unusual autopsy.

In part three (set in 1989) Peter , a Canadian senator loses his wife. He takes a short trip to the US and from there he travels to the high mountains of Portugal, his ancestral home. His story is heartwarming.

The novel is delightfully hilarious in moments, and arrestingly sober in others.

At the end of Yann Martel’s novel The Life of Pi the main character Pi Patel asks the Japanese insurance agents who have come to interview him which story is better: the one with animals or the one without animals? The High Mountains of Portugal is the story with animals and better for it.

The High Mountains of Portugal is a wonderful parable. A magical realism tale with a mystery and clues scattered throughout. Mark Bramhall as narrator pitches the story perfectly. He creates the different characters (including at least one animal) beautifully. He conveys the extraordinary emotions throughout the book and holds the reader’s attention at all times.

The High Mountains of Portugal • by Yann Martel • read by Mark Bramhall • published by Random House Audio • February 2, 2016 • 11 hours • ISBN 9780147522856

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Radical: My Journey out of Islamist Extremism (by Maajid Nawaz, read by David Linski)


“Most Muslims are not Islamists.”

This critical distinction between Islam and Islamism is the focus of Radical, Maajid Nawaz’s powerful memoir. He explains a simple but incredibly important concept: Islamism is a political ideology masquerading as religion.

As a recruiter for an Islamist extremist group Maajid Nawaz exploited the confusion between Islam and Islamism. Now, as a counter extremism activist Nawaz attempts to correct that tangled perspective.

As a disillusioned teenager in Essex Maajid’s interactions with racist gangs had left him cynical and jaded. At university Maajid joined Hizb ut-Tahrir, an organisation that supports the establishment of an Islamic State and Sharia law. He was a relentless recruiter for the organisation. He travelled first to Pakistan and later to Egypt recruiting more participants. But in Egypt Nawaz was arrested. He was imprisoned and later charged with belonging to a banned group.

During his imprisonment Maajid had access to classic English literature. There began Maajid’s transformation from conservative Islamist to counter extremism advocate.

“Reading classic English Literature did for me what studying Islamic theology couldn’t. It forced my mind to grapple with moral dilemmas.”

At the time of this review the Islamic State has taken responsibility for the bombing of an airport and a train in Brussels two days ago that has killed more than 30 people. Maajid Nawaz’s memoir is necessary reading for anyone trying to understand the current political situation in Europe and the ideology behind these attacks.

Nawaz writes with passion, intelligence and clarity. If at times Nawaz sounds proud it is because he has much to be proud of. Since his transformation he has co-founded the world’s first advocacy organisation for counter extremism. He travels widely to speak about the Islam/Islamism misunderstanding, often to the same countries where he used to recruit members for Hizb ut-Tahrir.

David Linski captures the intelligence and the passion of Nawaz’s writing in his narration and is very engaging. Linski rarely stumbles, although at times his emphasis was a little off which created the feeling that a sentence had finished when it hadn’t. Overall it was a sensitive narration, well cast and beautifully fitted to the subject of the book.

Radical: My Journey out of Islamist Extremism • by Maajid Nawaz • with Tom Bromley • read by David Linski • 10.8 hours • published by Blackstone Audio • January 15, 2016 • ISBN 9781504711142 

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Missing Person (by Patrick Modiano, read by Bronson Pinchot)

51kpsslizol-_sl300_Written in a smoky, noir style with an existentialist flavour, Missing Person is a standout audiobook of 2015.

The Missing Person is Guy Roland, a man with amnesia. Eight years ago he came to private detective C. M. Hutte for help in find out who he is, and when Hutte couldn’t, he instead created him a new identity and employed him within the agency. On Hutte’s retirement and the closure of the detective agency Roland restarts the search for who he is.

Modiano brings beautiful detail to his writing, and his imagery is incredible – it feels as though one is seeing through the eyes of his protagonist. His prose is elegant and precise. There is the impression that he has carefully engineered every sentence to perfection. In any case the book comes as close to perfection as anything I’ve read.

Meanwhile Bronson Pinchot perfectly captures the detail in Modiano’s writing. His voice suits the noir style and he’s able to create each of the characters throughout the book without trouble.

I was absolutely captured by this book from the opening paragraph. It’s a brilliant story but it’s the descriptions of the places and the people Roland visits that are most compelling. Missing Person is easily one of my favourite audiobooks of 2015.

Patrick Modiano was the 2014 winner of the Nobel Prize for Literature. Missing Person is not to be missed.

Missing Person • by Patrick Modiano • translated by Daniel Weissbort • read by Bronson Pinchot • 4.75 hours • published by Blackstone Audio • November 2, 2015 • ISBN 9781504663243 

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